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The first comprehensive monograph on Afro Libio Basaldella (1912–1976), the Udine-born painter whose lyrical abstraction helped define postwar Italian modernism. Edited by Philip Rylands with essays from Barbara Drudi, Davide Colombo, and Anne Monfort, the volume traces Afro's arc from figuration through gestural abstraction, with extensive plates and archival material.
A serious reference for collectors of Italian postwar painting and a handsome object in its own right.
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