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A wry, surrealist study of the nose — rendered as a grid of sculptural specimens, each one its own small character. The kind of piece that earns a second look and quietly disrupts a too-serious wall.
The arrangement plays sculptural relief against the flatness of the frame, with the noses cataloged like artifacts: classical, comic, anatomical, abstracted. There is humor in it, but the execution is precise and considered — closer to a Wunderkammer than a gag.
Reads beautifully in a powder room (the natural home suggested by the title), a study, or any space that benefits from a single, slightly subversive note.
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