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A figural work titled "Donna," signed and dated 1985, numbered 1/20 — the first in an edition of twenty. The composition centers a female subject rendered with the sort of restraint that was a hallmark of late-twentieth-century figurative printmaking: confident line, quiet palette, very little asked of the viewer that isn't given back.
The piece is framed behind museum glass, which holds back UV without flattening the surface or putting reflections in the way. The frame profile is clean and unfussy, the right scale for the work.
A handsome addition to a layered wall or a sole presence above a console. Artist's signature and edition number are present and legible.
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