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A portrait of an object that became its own kind of icon. Painted in July 2004, this square canvas renders Fielding Miller's leather jacket with the attention usually reserved for a sitter — the slouch of the collar, the give in the shoulders, the patina of years of wear.
The composition is deliberately quiet. There is no figure inside the jacket, only the shape of one — a presence made by absence. The brushwork tightens around the seams and zippers and loosens in the field around it, giving the piece a portrait's psychology without a face.
A graphic, conversation-starting work that holds its own above a console, in a dressing room, or at the end of a hallway. The kind of painting that rewards the second look.
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